[The Red Arrow] is carefully structured, sharply observed and often humorous. Brewer has an understated, melodious style with a confident control of rhythm; one highlight is a description of a cross-country trip in a single two-page sentence . . . This book has eccentricity and vigor, executed with remarkable style.

— Dexter Palmer, The New York Times

Exquisite . . . Brewer’s evocation of the Mist is among the most accurate and insightful depictions of depression I’ve ever read . . . he is often at his best when he is most novelistic, as in his sneakily long sentences, some of which stretch on for more than a page. It’s a testament to his skill, and his transfixing language, that readers may not even register their length . . . As a novel of ideas that also creates a fully fleshed narrator with a convincing inner life, The Red Arrow succeeds. It is a beguiling and ruminative synthesis of strange couplings: art and physics, psychology and psychedelics, characters and ideas.

— Johnathan Russell Clark, Los Angeles Times

A rollicking bildungsroman meets wellness-through-hallucinogenics debut . . . The Red Arrow is about how to survive a creative life in 21st-century America, and its answer will surprise you. Brewer’s earnest description of psilocybin therapy turns a bravura comic novel into something deeper and stranger: an account of unexpected, hard-won joy

— Taylor Antrim, Vogue

It’s exhilarating to be a passenger on this wild ride . . . it’s to Brewer’s considerable credit that he satirizes pretensions so deftly and so well.”

— Paul Wilner, Alta

Brewer skillfully articulate the man’s deep wells of pain and resentment in quick swings . . . Coincidences occur again and again. The narrator meets them with joy and wonder and so the reader does, too. Brewer’s precision in writing these sequences makes them feel more like fate than authorial contrivance. Brewer makes this work with matter of fact and direct prose, indulging only occasionally in an imagistic flourish to remind readers his narrator is a writer . . . The Red Arrow is more about enjoying the mysterious way these events unfold than understanding why things have happened the way they have.

— Bradley Babendir, The Boston Globe

Thought-provoking and stirring . . . A notably bookish effort, a heady, inventive novel with intelligent things to say about mental illness, perception, creativity and psychedelic drugs . . . Brewer deserves praise for what might be called narrative fortitude. For a novelist, it’s no easy task to successfully employ books as plot engines (the narrator also has meaningful experiences with writings by W.G. Sebald, Giuseppe di Lampedusa and Geoff Dyer). Nor is it an opportunistic path to surefire best-sellerdom. Rather, it’s the work of a confident writer who isn’t beholden to convention or market considerations.

— Kevin Canfield, San Francisco Chronicle

[An] exceptional debut . . . From the first page, the narrator teases with allusions to a ‘treatment’ he has had that he’ll explain later, ‘because if I do so now, I’ll lose you.’ The therapy is certainly unusual and is bound up with coincidences and confluences that touch on the physicist, theories of time, and references to W.G. Sebald’s Vertigo, Geoff Dyer’s book on D.H. Lawrence, and Michael Pollan’s on changing your mind . . . A first-rate work that intrigues and entertains.

— Kirkus Reviews [starred review]

At turns delightful and demanding, William Brewer’s debut novel is a serpentine ride that culminates in a moving encounter between art and science.

— Scientific American

The Red Arrow is bold and thrilling—a work of unbridled imagination. Unlike anything I’ve read in a long time.

— Charles Yu, author of Interior Chinatown

The Red Arrow is hypnotic, heartbreaking, and shot through with a fierce, determined joy. William Brewer has a talent for dark comedy, and for the sort of defamiliarization that can make one feel somehow more attuned and alive. A beautiful trip through a world made new.

— Anna Wiener, author of Uncanny Valley